Ebook , by Hanif Abdurraqib

September 24, 2015

Ebook , by Hanif Abdurraqib

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, by Hanif Abdurraqib

, by Hanif Abdurraqib


, by Hanif Abdurraqib


Ebook , by Hanif Abdurraqib

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, by Hanif Abdurraqib

Product details

File Size: 4170 KB

Print Length: 236 pages

Publisher: Two Dollar Radio (November 14, 2017)

Publication Date: November 14, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0788PTTKF

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Word Wise: Enabled

Lending: Not Enabled

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Amazon Best Sellers Rank:

#50,268 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I first discovered Abdurraqib's work via his twitter feed. I was thrilled to be able to purchase a volume of his essays to read in print, many of which predate my discovery of his work online. This book is FULL of essays and I really believe there is something for everyone in here. The breadth of Abdurraquib's tastes, interests, and insights is truly remarkable. The essays about my own personal favorites like Serena Williams and Carly Rae Jepsen still managed to surprise me, and I find myself nodding along to essays about artists I don't even listen to. To categorize this as a book of music criticism is both accurate and inadequate. Abdurraqib uses music as a vantage point through which to examine and interrogate the world he lives in, and I continue to be inspired by how deeply he feels both the music and that world. Anyone who reads this book is fortunate to have the chance to see the world through his eyes and to feel it through his words.

This is a book that everyone should read. I am a 70-year-old liberal white woman, and the things I should have known but didn't are sprinkled throughout this book. There's a lot of talk about rap and hip-hop in here, and I know little about it, but that doesn't matter. The essays about music speak to so many other things that are important that I couldn't put it down. I intend to give it as gifts to some people whom I feel need it the most.

This was one of my very favorite books of 2017, and it's the one that's stayed with me the most as I live, work, drive, and rest in Columbus, Ohio. The essays evoke and create this place while offering so much to readers outside of it: essays bringing together the personal and the critical (and showing us the ways in which they are the same) through locating music in place and memory.Also, I love this book as an object. The layout and cover are stunning--Two Dollar Radio makes gorgeous books. You will want to have and hold this one.

Great essays. The writer’s way of weaving autobiography into his music essays (on everyone from The Weeknd to My Chemical Romance) appeals to me greatly—isn’t that how we process music? through the lens of our own experience?—and the more strictly autobiographical essays are no less compelling. “My First Police Stop” is an especially poignant account of the first in a series of bogus police stops would make Abdurraqib feel. So there are searing meditations on being black in America, but this pleasingly restless collection aims to offer that and much more. Shout out to 2 Dollar Radio, the great small press who published this book and many other beautifully designed indie gems in recent years.

Raw and real. This book taught me about my privelege as a white woman, something I am always trying to be aware of. It was not written for me, but I still took away lessons from it.

I never thought I would read an essay about Carly Rae Jepsen that felt profound, but along came this book. Abdurraquib has a way of zooming out on pop music and pointing a critical eye toward its role in the zeitgeist. The cover is dope, the essays are personal, and I am desperately waiting for a crossover between Abdurraqib and Anthony Fantano so they can tell me exactly what to think about every album I listen to for the next 30 years of my life.

This is probably the only book I’ve bought this year that was the result of an intriguing cover image capturing my eye, an interesting description on the flap, and then a risk taken on an author I’d never heard of before. It turned out to be maybe my favorite read so far this year. Abdurraqib’s essays meander artfully between commentary on music, autobiography, and robust feminist commentary on race, gender, (drifting far from) religion, and the contemporary state of affairs in the USA. With great sincerity and skill, he dances between seemingly disparate topics, making profound and unexpectedly meaningful connections. Beautifully, compellingly, and refreshingly written. A joy to read.

How is it he can write essays about things I am not into that I cannot stop reading? The topic is not always up my alley, but the profound wisdom with which he examines the world around him is amazing. His writing makes essays about Carly Rae Jepsen transcendent. I never ever thought I would say that! He is a definitive voice I will follow for the rest of his writing career.

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